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Orangeberry Book of the Day - Barbed-Wire Butterflies by Jessica Kristie

Posted on Tuesday, April 30, 2013

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Genre – Literary Fiction

Rating – PG

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Website http://jessicakristie.com/

CHAPTER 1

A New Truth

Loud noises banging from the trunk didn’t even make the two men flinch. It was an all too familiar sound. They traveled down a long dirt road toward what seemed, to the untrained eye, to be an abandoned warehouse. The town car didn’t fit the road traveled, but it had been there many times before.

The thumping had finally subsided as they pulled near the desolate building. Quickly, they passed through the guarded entrance and could see another man waiting in his dark green clothing, waving them forward. The large wall receded up, opening into what looked to be an airport hangar. Several small planes, cars, and other equipment were parked inside. The two men got out of their vehicle and walked to the back of the car. The taller man turned to his partner and grinned while he unlocked the trunk.

Inside lay a thirteen-year-old girl, still passed out from the drugs she had been given steadily over the last few days. Her body was twisted from being knocked around during the three-hour trip from the hotel to the warehouse.

“Another one,” the shorter man said with a half-hearted laugh.

“The second one this month; I wonder what’s up,” the shorter one responded.

“It ain’t our business to ask. Let’s just get her in here and get out. I want to get home before four a.m. this time.”

“You take the feet and let’s get a move on.”

They each did their part and carried the young girl to the door where a gurney and two other men were waiting. They placed her on the rolling bed and headed back to their vehicle. It was as easy as that, and they were done. The town car drove off into the night, not to return until another package was to be delivered.

In her unknown destination and an hour after delivery, Elani Benjamin woke up. With confused, red-rimmed eyes and blurry vision, she could make out a tall woman hovering over her. The woman had long red hair and a much-too-wrinkled face to be in her forties. She was dabbing Elani’s forehead with a cold, wet wash cloth knowing full well the young girl would protest soon.

“Where . . .” Elani tried to make sense of her words and surroundings, her head still foggy from the last few days. She darted up from the gurney and scanned the room for something, anything familiar. A nauseous feeling tugged at the lining of her stomach.

Everything was concrete, or white painted over concrete. The room smelled sterile but unclean at the same time. Confused about how she got there, she closed her eyes and tried to remember. The last thing that came to her was stopping at a Quik Stop for something before heading home.

“Elani, I’m Jolene. I need you to keep calm while I explain where you are. Please try and control yourself so you don’t upset the other girls when I put you in your new room.” Jolene paused for a response. “Do you hear me, girl?”

“How do you know my name?” Elani pleaded to Jolene with surprise and a growing concern.

“We know everyone we bring here to The Hub. It’s our job to know who we’re dealing with.”

“Where’s my mom? Does my dad know I’m here?”

“Look, girl. I’m just going to tell you like it is. This is your new home. What you will have is a bed, food, and work. It’s not much, but that’s what it is. Now change into this so I can bring you to your new room.” Jolene threw a blue sweat suit at Elani that was stenciled with an L, along with some old, worn sneakers, and then lifted her hands in a quick attempt to get her going. Elani slowly pulled the clothes toward her and reluctantly changed.

“Here, put your clothes in this. You won’t be needing them anymore. We all just wear the same thing,” Jolene said as she held a plastic bag in front of her.

“I want to go home,” Elani said, panic rising in her voice.

“That’s what you say now, but things will change,” Jolene quickly responded, in hopes to diffuse the pending breakdown. “You’re a big girl, you can do this.”

“I don’t want to do this. I don’t even know what this is,” Elani snapped with tears forming in her big blue eyes. She used her sleeve to rub the salty drops from her face and nervously pushed her dark hair behind her ear.

“Girl, we gotta get a move on. We don’t have time for this. The quicker you realize what is happening here, the easier it gets. I’ve been here for twenty-two years and I ain’t got no qualms about that.”

“What?” Elani was shaking. “I can’t go home, ever? What about my mom and my brother? My brother needs me. I need to get back home.”

“Your brother is fine. Your mom is fine. They will learn to get on without you. Now get dressed and let’s be going.” Jolene was losing her patience and it was obvious she had been through this routine too many times before.

Elani’s heart plummeted in her chest as the lack of control sunk in. She retreated to silence, feeling she might pass out from terror. She had no clue what these people wanted or what new future was being laid out without her permission. It all felt too unreal to comprehend.

She finished changing her clothes and surrendered her old life in a small plastic bag to Jolene. Jolene led her through several dimly-lit corridors with four doors on each side. Each hallway reminded Elani of pictures she had seen on television of the rooms for inmates of a mental-health facility. Small windows, about three inches wide, served as the room’s only peek outside of the personal cells. Elani’s mind was racing. Was this a prison? Had she done something to get put in juvenile hall? She knew of several kids in her neighborhood who had been to juvie, but from what she remembered, the kids went to court first.

Elani was always a fairly good kid. She had never done anything that deserved this kind of punishment. She tried not to shake, and watched Jolene as she stoically continued to lead her down dirty pathways with no hint of natural light to be found.

Finally, after several minutes of walking, they reached a long hallway that was just the same as all the others they had passed. The only difference was a large L stenciled at each entrance. “This is you, girl. L17.” Jolene reached into her pocket and pulled out the biggest ring of keys Elani had ever seen. “You are locked in at all times. We can’t have you girls trying to run about, now. Just keep your head straight and do what you’re told. You got that, girl?” Jolene asked as she unlocked the door and ushered Elani into her tiny room.

“Yes ma’am,” Elani said without thinking.

“Good girl, Elani. That will do. Now meet your bunkmates: Sophie, Jada, and Isabel. They are all nice girls who like being here. You get right, like them, and you’ll be fine.” Jolene turned to the girls in the room, “This is Elani. Tell her what she needs to know.” She then turned back to Elani to confirm she understood.

Elani nodded in confused agreeance as she surveyed the room. There were two sets of metal bunk beds on each wall. The two-foot space between the beds held a single garbage can. To the right of the door was a frayed sheet thrown over a rusted metal frame, serving as a space divider. It seemed to be covering a small toilet and a sink. Elani cautiously moved further into the room and stood there in complete disarray. She was jolted to reality as she heard the heavy door close loudly behind her. Jolene was gone.

“You can have the bed over there,” said a small girl on the bottom bunk across from what was now to be her permanent bed. “I’m Sophie, I’ve been here awhile. About six months, as far as I can tell. I’m trying to keep track but wonder what the point is sometimes.”

Sophie had green eyes and blonde hair. Here hands where tiny, and fit her small frame. She was far too young to be in a place like this and Elani could tell it had aged her too quickly, just like the rest of the girls.

“Where is here?” she asked in a once-again growing panic.

“The Hub,” said the girl in the top bunk above Sophie. “I’m Jada. Been here awhile now, too; it ain’t so bad. Better than what I had before, I guess.” Jada was obviously the oldest. The one who attempted to keep the peace. She had dark brown skin and jet-black hair with beautiful big brown eyes. Her hair, like all the girls, looked matted and dirty.

“Before?” Elani asked.

“Yeah, before they brought me here. I was pretty much livin’ on the streets or from foster home to foster home. Now, I get my own bed and at least one meal a day.” Jada attempted to be reassuring but her sullen gestures gave the truth away.

“Don’t you miss home, though? This isn’t right,” Elani protested. “We shouldn’t be here. I want to go home.”

Tears forced their way down her burning red cheeks and she collapsed on her bed holding her knotted stomach and aching muscles.

“Hey now, don’t upset the other girls. I know it’s weird but you get used to it quick,” explained Jada. “It gets better, I promise. Hopefully the worst is over.”

“I don’t want it to get better. I just want to get back home. I don’t even know why I’m here.”

“You’re here to work,” chimed in a new voice she hadn’t yet heard. “I’m Isabel, and we are all here to work.” A thick Hispanic accent escaped her lips and she twisted her dark hair anxiously. Her brown eyes were bulging slightly from her head and she was far less confident than Jada when she spoke.

“To work? I’m only thirteen, why would I have to work?” Elani said through her blanket of tears.

“That’s why we’re brought here; to work,” Isabel said in a quiet and comforting voice.

Jada jumped in, “You are now a part of what you may have heard called a sweat shop. It’s a place where people are forced to work. We make things like clothes, and put together phones and stuff like that, whatever they tell us to do. We always do what they tell us to do. It’s better that way.”

“So we are here just to work, nothing else? Why would anyone do that?”

“Because it’s cheap and people are greedy. I was fifteen when they took me, and I already knew what nasty things people did for money. Or to save money. I’ve been here a year or so and I don’t mind it. This place is different than most. From what I’ve heard, we get treated pretty damn good compared to other places like this,” Jada tried to reaffirm.

“Why? Why would they treat us good? They kidnapped us and threw us in a cement box to never see our families again. How is that good, anyway?” Elani said, her eyes welling with tears again.

Listening to them talk, she was slowly realizing these kids were brainwashed. Trained to say what The Hub needed them to say, and do what they were told to do. Fear was sharp and palpable from wall to wall.

“There’s not a lot of conversation that goes on here. We all stay pretty quiet, but sometimes we hear the leaders or guards talking. From what I know, they pick people who need a place to stay and food to eat. They don’t really care if we’re happy, but want us to be content enough to stay, or . . . I guess . . . not fight staying. I don’t know how many have tried to break out, but from what I’ve heard, no one has,” Jada explained.

“So this is my life, then?” Elani wimpered.

“This is your life,” Jada said with little comfort.

With that new and shocking information, Elani rolled over into her pillow and tried to hold herself to sleep. The other girls peered over at her from their beds.

Isabel looked down at Elani from the bed above to try and offer one last round of comfort. She pulled herself back up when it became clear there was nothing she could say. Isabel had been there once, too, and the fear never really went away. The girls all lay back in their beds as the room went dark. It was lights out for the night.

Elani was frozen in the dark hoping this was some bizarre slip in reality that would be rectified come morning. Her emotional wounds dug deep under her skin making it difficult to breath. She thought that any moment she might lose consciousness, but almost welcomed it. She buried her face in the flat pillow that sat on her sagging mattress. Everything reeked of dirt, sweat, and fear. The salty tears that crawled inside her mouth served as some familiar comfort. The confusion was unbearable and shock took over. Elani fell into a sleep as her body shut down. She hoped that the morning would prove this was all but a bad dream, and nothing more.

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Orangeberry Book of the Day – Demon Inhibitions (Caitlin Diggs) by Gary Starta

Posted on Monday, April 29, 2013

Chasing a soul stealer in her reality, psychic investigator Caitlin Diggs inadvertently travels through a portal to another reality and witnesses her fugitive kill her alternate self in DEMON INHIBITIONS. Assuming her alternate’s life as an agent of the FBI’s Preternatural Crime Division, Diggs believes her position might help her capture the soul stealer until she finds he may be part of a sinister terrorist plot to keep humans and demons living in segregation. A girl, whose singing inhibits the evil urges of demons, is on the terrorist’s hit list and Diggs will ultimately learn her fugitive is neither supernatural nor demon, but a genetically engineered hit man incapable of being enthralled.

Buy Now @ Amazon & Smashwords

Genre – Urban Fantasy

Rating – PG13

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Orangeberry Book of the Day - The Learner by Alan Nayes (Excerpt)

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NayéLi has come from the dark side of the universe to learn as much as she can about the third planet from the sun, and to communicate her findings back to her home world. NayéLi is a Learner – and on Earth she assumes the form of a young human female of the indigenous host species.

NayéLi is bound by her rulers’ strict laws of planetary exploration, which state that there can be no involvement with a member of the host species. But NayéLi is more human now than she realizes. And she is about to fall in love.

THE LEARNER is the first book in the paranormal Learner Series.

132,000 words or approximately 450 pages.

Buy Now @ Amazon & Smashwords & Barnes and Noble

Genre – Sci Fi / Paranormal Romance

Rating – PG13

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THE LEARNER

Alan Nayes

PREFACE

He is coming for me.

I have no clue how I know this—a premonition has never happened to me in this manner before—I just do. My species is powerful. Far more powerful than my hosts; nevertheless, we are unable to read minds, nor can we predict the future. Still, the perception that I am about to be discovered is undeniable.

If I hadn’t been on this particular bus, none of what’s about to happen would be affecting me. And if I hadn’t passed out, he never would have found me. For one of only a few times during my sojourn here on Earth, I experience a profound unease. Even fear. And intense unremitting pain.

He is going to find me. This is inevitable. I’m unable to move. Escape, impossible. I’m too incapacitated. Yet somehow I must save myself, preserve my being; otherwise, I’ll be forced to leave before my time here is done.

I have no choice, I tell myself. My rulers would order, “NayéLi, leave your body.”

And I would say, “No.”

Let him find me.

What concerns me most, though, more than being discovered, is that I harbor no inkling of what will happen next.

Just that it will change…everything!

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Orangeberry Free Alert – Broken Pieces by Rachel Thompson

Posted on Sunday, April 28, 2013

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PRAISE FOR BROKEN PIECES:

‘So ridiculously amazing, I can’t take it’ ~ Gabe Berman, Author ‘Live LIke A Fruit Fly‘

‘Engrossed. It is a grippingly brilliant work’ ~ Frank Feather, author and blogger

‘Any woman who has had a former lover (or two or three) will be able to relate to this. Her writing is very poetic.’ ~ LS Hullinger, reader, writer

‘A brilliant and intense must read’ ~ Jeffery Rowan, reader

Out less than three weeks, Broken Pieces already hit the Paid Top 10 list on Women’s Studies!

Welcome to bestselling author Rachel Thompson’s newest nonfiction work! Vastly different in tone from her previous essay collections A Walk In The Snark and The Mancode: Exposed, BROKEN PIECES is a collection of pieces inspired by one woman’s life: love, loss, abuse, trust, grief, and ultimately, love again.

This is NOT a humor book! It IS a book about relationships, a study of women, a book with heart.Want to see why people love it? Why they call it ‘riveting, powerful, insightful?’

Read it and see why Broken Pieces is tearing up the lists for Nonfiction, Women’s Studies, and books for women!

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Genre – NonFiction

Rating – PG13

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Orangeberry Book Tours – The Symbolon (The Sibylline Trilogy) by Delia Colvin

The Symbolon is the passionate second novel of the addictive Sibylline Trilogy!

For 3000 years, Alex has dreamt of a life with his mortal beloved, Valeria. And it appears that they will at last have a chance for a life together!

But when they approach the ancient council of immortals, for approval of the marriage,
they discover that sinister forces object to their union. Soon they find themselves faced with terrifying threats including a devastating separation that neither may survive!

Buy Now @ Amazon

Genre – Paranormal

Rating – PG

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Website http://www.deliacolvin.com/

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Review: The Symbolon by Delia Colvin

The Symbolon (The Sibylline Trilogy, #2)The Symbolon by Delia J. Colvin
My rating: 5 of 5 stars

Summarize the book. This was a book about vampires and reincarnation. Alex's true love dies from a curse. He is obsessed with her and he searches everywhere, hoping to find her again. He finds Valeria and wants to marry her, but he's already married. They ask for permission to marry, but the council turns them away. They are sentenced to death.

What did you think of the style of the writer? Liked the writer. The flow was smooth and easy to read. Looking forward to reading other books by her.

Did you find any flaws in the book? Didn't find any flaws in the book.

Would you recommend this book? I found this book a very good read. I would read other books, by this author. Liked her style and verbiage.

Disclosure: I received a review copy of this book from the author.

View all my reviews

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Orangeberry Book of the Day - Refuge by NG Osborne (Excerpt)

PROLOGUE

escape
Kabul – February 1981

ONE

“NOOR‌—‌NOOR, MY love, please get up.”

Noor opens her eyes to find her mother crouched over her, her mother’s lantern just bright enough to bathe her face in a warm glow. Noor fights the urge to go back to sleep.

“The Russians are coming,” her mother says.

Noor’s eyes snap open, and she swings her feet onto the cold stone floor.

“Wait,” her mother says. “Put these on first.”

Her mother holds out a set of clothes. It’s only now that Noor realizes her mother is wearing a shalwar kameez.

“Mamaan, do I have to?”

“Think of it as a disguise.”

That at least makes it palatable.

“Now quick,” her mother says, “we’ve no time to waste.”

Her mother hastens away. Noor pulls her pajamas off and grabs the first article of clothing, a pale green kameez.

“You ready?” a voice hisses.

Noor clutches her kameez to her chest. Her brother, Tariq, stands in the doorway, holding a lamp of his own, his shadow looming behind him.

“Get out, I’m dressing,” she says.

“Nothing to see,” Tariq smirks.

“Not the point.”

“Well hurry up.”

Noor waits for Tariq to leave before slipping on the kameez and the baggy shalwar pants. She shoves her feet into her tennis shoes and takes off at full tilt. She finds everyone in the kitchen, their faces lit by the flickering light of the stove. Her Aunt Sabha is crying, and her sobs only intensify upon seeing Noor.

“Oh my sweet, sweet girl. When will we see you again?”

“You’ll come and see us in America,” Noor says.

“That’s right, that’s exactly what we’ll do.”

Aunt Sabha sweeps Noor into her ample bosom.

“Do you have the letter from Doctor Abdullah?” her Uncle Aasif asks her father.

“The letter?” her father says.

“Good God, Aamir,” her mother snaps, “the introduction to the American Ambassador.”

Her father searches his jacket pockets and emerges with a crumpled envelope.

“Give it to me,” her mother says snatching it away.

Her mother looks around.

“Where’s Bushra?”

“She’s awake,” her father says.

“But was she out of bed when you left her?”

It’s clear from her father’s expression that Bushra wasn’t.

“Noor, go and get your sister now,” her mother says.

Noor grabs a lantern and sprints back upstairs. She finds her older sister asleep, her shalwar kameez lying undisturbed beside her. Noor shakes her.

“Bushra, you’ve got to get up.”

Bushra groans and draws her covers close. Noor rips them off and yanks Bushra out of the bed.

“The Russians are coming to arrest Baba,” Noor says.

Bushra yelps and jumps to her feet.

“We’ve got to go,” Bushra says

“That’s what I’ve been trying to tell you.”

Bushra scrambles into her shalwar kameez, and the two of them run out the room. Noor halts outside her bedroom door.

“Keep going, I’ll be right there.”

Noor enters her room and takes one last look around; at the doll’s house her father built last Eid and which, to her eternal guilt, she hasn’t played with once; her posters of Chris Evert and Martina Navratilova; her pet rabbit Bjorn, sitting up in his cage, his nose twitching. She thinks about setting him loose but knows he wouldn’t last more than a day before becoming someone’s dinner. She puts a finger through the mesh and rubs his forehead.

“I’ve got to go, Bjorn. A long way away, but I’ll always love you, remember that.”

Bjorn’s ears prick up; outside some cars screech to a halt. Doors open, and a man yells out commands in Russian. Noor sprints out of the room and back downstairs.

“They’re here,” she screams.

Aunt Sabha lets out a shriek. Booming thuds reverberate from the front door.

“I’ll delay them,” Uncle Aasif says. “Now go, go.”

Noor’s mother grabs Noor’s hand, and they run out of the kitchen across the snow covered courtyard, past the ancient apricot tree that, to Noor’s eternal triumph, she climbed higher than Tariq the week before. Her mother tugs her into the dusty old servants’ quarters past the laundry room with its wooden washboards and iron ringer and up to a large metal door. Her mother yanks it open and pulls Noor into an alley where a donkey and cart await.

“Why aren’t we taking the Oldsmobile?” Noor says.

“It’s too conspicuous.”

Her mother grabs Noor by the waist and throws her up onto the straw. Tariq and Bushra bundle in beside her while her parents sit up front. Her father clicks his tongue, and the donkey starts plodding forward.

“Put this on, Bushra,” her mother says.

She holds out another article of clothing: it’s a burqa. Bushra complies, and her mother puts on one of her own. Noor shivers. They look like jinns sent to steal her soul. Tariq nudges her.

“You scared?” he says.

“Course not.”

“Liar.”

Her mother hisses at them to be quiet. Noor looks towards the end of the alley. Despite the early hour, the street beyond is already bustling with traffic.

“Faster,” her mother says.

Her father urges the donkey on, but if anything the donkey seems to slow.

“We’re a simple peasant family from Aynak,” her mother says. “If we’re stopped let your father do the talking.”

“But what if they ask us questions?” Noor says.

“They won’t.”

“But what if they do?”

“Then only speak Pashtu. If they speak to you in English pretend you don’t understand.”

A car pulls into the alley its round headlamps lighting the morning mist a garish yellow.

Her father and mother stiffen.

Noor squints; in the glare it’s impossible to tell who’s inside. The car honks and she senses her parents relax; she assumes if it were Russians they’d have gotten out by now. Her father looks over his shoulder to see if he can back up.

“Don’t you dare,” her mother says.

The car nudges forward, but for once the donkey’s obstinacy works to their advantage. After some virulent honking the driver puts the car into reverse. The donkey keeps pace, as if galvanized by its victory.

Noor hears shouts behind them and twists around to see four men emerging from the back of their house.

“Stop,” one shouts.

Her mother grabs the reins from her father and whacks the donkey as hard as she can.

“Stop right now, or we’ll shoot,” another yells.

The men pull guns from their holsters.

“Children, get down,” her mother shouts.

Her mother grabs a hold of Noor and shoves her into the straw. Shots ring out, and Noor clenches her eyes shut.

Her mother yells at the donkey to keep going, there’s another crackle of gunfire. The din of traffic and the sweet scent of petroleum fumes engulfs them.

Noor opens her eyes; her brother’s crotch is inches from her, a dark urine stain smearing the front of his pants. She rises up onto her elbows and sees the owner of the car shake his fist at them before accelerating back down the alley. Her mother hands the reins to Noor’s father.

“Turn right on Chicken Street,” she says panting.

She looks back at her children.

“Is everyone alright?”

Tariq sits up doing his best to hide his piss stain with a handful of straw. He catches Noor looking at him and reddens. They turn down Chicken Street with its souvenir shops and restaurants. Bushra lies on the straw moaning.

“Bushra, are you alright?” her mother says.

“Yes, Mamaan.”

“Then sit up.”

They come to the end of the street and merge onto another bustling thoroughfare. A convoy of Soviet armored personnel carriers rumbles towards them. Noor holds her breath. One of the helmeted gunners stares at her: the days of the soldiers pretending to be their friends are long gone. The final personnel carrier passes by, and Noor thinks it permissible to breathe again. She looks at Zarnegar Park, the Mir Abdul Rahman Tomb’s dull, copper dome framed by the snow covered mountains. She wonders if she’ll ever see it again.

The cart hits a pothole. It sends Noor tumbling forward and elicits a pained groan from her mother. Noor puts a hand on the floor and feels something damp. At first she assumes it’s Tariq’s urine, but when she brings her hand up she sees it’s stained with blood. She notices her mother is bent over.

“Mamaan.”

“Yes, my love.”

“Are you alright?”

Her mother doesn’t answer. Her father looks across.

“What’s the matter?” he says.

Her mother pulls up the front of her burqa. Even in the pale light of dawn Noor can see her mother’s kameez is soaked in blood. Noor cries out.

“Shh,” her mother says, “don’t draw attention to us.”

Up ahead, just before the turn for the river, a group of Russian soldiers have set up a checkpoint. The traffic slows. Her father yanks on the reins and tries to turn the cart around. It’s impossible, a bus is right behind them.

“They’ll see me,” her mother says to her father.

“No, just stay where you are. We will be past this at any moment, and we will go find a doctor.”

“Aamir, it’s too late for that.”

“Nonsense.”

The cart edges forward, and her mother rests her burqa on top of her head. Her cheeks, so rosy even in the coldest weather, are drained. She looks at each of her children as though she wants to burn their images into her soul.

“I love you all,” she says, “more than you’ll ever know.”

“No,” Tariq screams.

Up ahead a soldier looks in their direction. Tariq wraps his arms around his mother.

“Don’t go, don’t go,” he says.

Her mother strokes his hair and whispers into his ear. The cart trundles forward again; they’re now only three vehicles away from the checkpoint.

“Please, Aamir,” her mother says.

Her father stares at her, unwilling to grasp what’s unfolding in front of him.

“For their sake,” she says.

Somehow he manages to nod. Her mother leans forward and kisses her father on the forehead.

“I love you, Aamir,” she says. “Look after them for me.”

She extricates herself from her son’s grasp, and Noor’s father wraps his arms around Tariq. Tariq fights back, his legs kicking out, his arms flailing.

“Take the reins,” her mother says to Noor.

Noor scrambles into the front seat. Her mother grabs her by shoulders.

“Never compromise who you are. You hear me?”

Her mother places the reins in Noor’s hand and pushes herself off the cart. Noor looks back. Her mother lies there in the street, blood already staining the snow around her. With whatever life she has left she struggles back up onto her feet. Tariq breaks free and crawls to the back of the cart.

“Mamaan,” he screams. “Mamaan.”

Her mother looks stricken. From beneath her burqa she pulls out the envelope containing Dr. Abdullah’s letter. She collapses on the ground, and a woman in the bus behind lets out a piercing shriek. Soon soldiers are running past them until her mother’s body is lost amidst a sea of green uniforms. With the checkpoint no longer manned the donkey picks up its pace. The road bends to the left, and soon the checkpoint is out of sight.

Noor turns back and sees her father’s eyes are brimming with tears. In the back her brother lies on the straw sobbing while her sister sits immobile as a statue. Noor takes her father’s hand in hers, gives the donkey a whack with the reins, and they continue on out of the city.

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Genre – Literary Fiction / Romance

Rating – PG13

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Website http://www.ngosborne.com/