Hank Quense on Four Key Areas to Develop a Character @Hanque99 #SciFi #AmWriting #WriteTip
Posted on Saturday, November 1, 2014
How to make your character believable
To
make a believable character, you have to develop the character in four
separate areas: physical (outer) attributes, mental (inner) attributes, a
biography and a dominant reader emotion.
Physical attributes: These
attributes are the obvious ones. They tell the reader what the
character looks like. Many beginning or inexperienced fiction writers
stop the character development at this point. What they have created is
a cardboard cutout of a real character. No reader wants to spend time
with characters like this because they aren’t human. In fact, these
attributes are the least important of the four areas. I’ve written and
had published short stories in which I never described the characters. I
left that job to the reader’s imagination. The only important
attribute here is dialog; how does the character speak?. Does the
character talk like a banker or a thug? Does the character’s dialog use
gonna, inna and other words of this ilk? It’s important to
differentiate the characters through their dialog. If every character
sounds the same as all the other character, it won’t be an interesting
story.
Mental attributes: These
attributes are much more important than the physical ones. These are
what turn the cardboard character into a “human.” These are the
attributes you have to assign to your character. Every one has a
personal philosophy and your character needs one also. Is the character
an optimist? A pessimist? Is she an individualist or a pragmatist?
Once you assign a philosophy, the character has to act in that fashion.
You can’t have a optimist acting like a pessimist. If you do, the
reader will call you out on it. Other important traits include the
character’s personality. Is he charming, despotic, murderous, friendly?
And don’t forget to give the character a few quirks. Does he avoid
making eye contact with others? Does he overeat? How about picking at
her finger nails, or her nail polish?
All this attributes are essential to defining a well-rounded character.
Biography:
Most new writers don’t understand the need for a character bio. After
all, most of the material will never make it into the story, so why
bother. Writing a bio allows the writer to understand the character and
learn what makes him tick. If you don’t have a bio, you don’t know how
the character will react in different situations. Suppose you didn’t
wrote a bio and someone walks up to your character and punches him in
the mouth. How doe he react? Does you character punch back? Turn
around and walk away? You don’t know what the character will do,
because you don’t understand the character. What if a beautiful woman
grabs him and kisses him. Does you character turn red and develop a
stammer? Does he ask for her phone number? Does he kiss her back?
Without a bio, you’re guessing what the character will do. Guess will
ensure the character inconsistency.
Dominant reader emotion:
This attribute isn’t discussed much in fiction writing books. It’s
the emotion you want the reader to experience when the character is in a
scene. All the main characters need one or more of this attribute.
Typical reader emotions are: sympathy, annoyance, pity, amusement,
empathy and affection. Don’t give the story’s hero a dominant reader
emotion like annoyance or hatred. These are reserved for the bad guy in
the story.
Do you enjoy untypical coming-of-age stories? Well, you won’t find one more untypical that Moxie’s Problem. Moxie is an obnoxious, teen-age princess who has never been outsider her father’s castle. Until now. The real world is quite different and she struggles to come to grips with reality. The story take space against a backdrop of Camelot. But it isn’t the Camelot of legends. It’s Camelot in a parallel universe. So, all bets are off!
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